Making AIDS history
International Peace Tile Project raises HIV/AIDS awareness
By Pryce Hadley, 16, and Anna Burnett, 15, with contributions from Kelsie Coccia,
13; Adam Gannon, 13; Clint Remsburg, 13, and Emma Roy, 13
A group of local children gaze up at a vibrant collage of decorated
wooden tiles
at the Upper Peninsula Children’s Museum in Marquette. The tiles contain
messages from children very much like themselves, though under much more dire
circumstances. The tiles were created by children halfway across the world to
raise awareness of the pandemic that constantly threatens their lives, HIV/AIDS.
Phrases such as “Kissing doesn’t kill: greed and indifference do,” “See
into tomorrow,” and “We all deserve a second chance,” provide
insight into the lives of the artists and give voice to the millions of children
who are at risk from HIV/AIDS. According to UNICEF, more than 500,000 children
under the age of fifteen have died of AIDS and more than two million children
under the age of fifteen are living with the HIV/AIDS virus.
Even though the tiles focus on a sobering topic, they convey the hope and optimism
of their creators. One tile depicts the image of the earth surrounded by a sea
of people with a large orange heart in the lower left-hand corner. Others include
warnings and many feature the word “hope.” Each of the eight by eight-inch
tiles reflects the unique personality of the child who made it. Some consist
of simple images painted on wood while others are more intricate with lace, beads
and magazine clippings.
The museum is hosting a collection of 48 tiles in recognition of World AIDS Day,
December 1, 2005. The tiles were brought to the museum through the International
Peace Tiles Project, an initiative that seeks to raise HIV/AIDS awareness and
prevention among youth. Already the project has involved over 1,000 youth from
Bangladesh, Cameroon, Costa Rica, India, Kenya, Nigeria, Senegal, Tanzania, Thailand,
Uganda, and the United States. Most of the tiles at the Children’s Museum
were made in India.
On World AIDS Day, major displays of peace tiles were unveiled in Johannesburg,
South Africa; Geneva, Switzerland and Jaipur, India. Many smaller exhibits, such
as the one in Marquette, were displayed worldwide.
Louise Bourgault, professor of communication and performance studies at Northern
Michigan University, helped bring the exhibit to Marquette. Bourgault first heard
of the project through an Internet list serve. She supervised NMU student Wendy
Gaudette, who organized the exhibition in conjunction with the Children’s
Museum.
“This issue is of great urgency at the moment because there are worldwide
40,000,000
cases of HIV and AIDS. Also it’s an issue that affects people in our own
country,” Bourgault said. “I felt that this was interesting because
it was involving younger children, and that it would have a very positive message
and it would help children in the Marquette area relate to children in other
parts of the world.”
Peace Tiles Project Creator and Coordinator Lars Hasselblad Torres of Montpelier,
Vermont was inspired to start the project as a way to raise HIV/AIDS awareness
through art.
“I’ve always had this passion for the visual arts,” Torres
said. “At
the same time, I’ve been an educator and really enjoy working with young
people, and thought that there might be a way to combine my passion for the
arts and my enthusiasm for working with young people in a global awareness
campaign around HIV/AIDS.”
Torres hopes the project will reach young people of widely varying experience
with HIV/AIDS.
“The goal of this year’s effort is to enable young people to express
their experience with HIV/AIDS on whatever dimension. Those might be (youth)
who
are living with HIV/AIDS. It might also be those who are at risk; they sort
of know it’s out there and they’re scared or they’re totally
oblivious. And also for those who may not be at risk; they know it’s
out there and they want to send messages of hope to other young people around
the world.”
A lot of work and collaboration has gone into the project.
“For World AIDS Day I coordinated the activities in terms of developing
the basic materials, helping to find artists who could go to communities to work,
helping to figure out where the murals would go, raising money and distributing
money, creating the on-line forum for publicity purposes, as well as getting
people to share their stories around peace tiles,” Torres said.
One of Torres’ international collaborators is Bhawani Shanker Kusum,
Secretary and Executive Director of the Indian non-government organization,
Gram Bharati Samiti, which translates to the Society for Rural Development.
“He’s an incredibly committed guy to rural issues affecting women
and youth, and saw a connection between what he’s trying to do and what
peace tiles was all about. You might call him the driving force,” Torres
said.
Kusum set up six workshops in the rural area surrounding Jaipur, the capital
of the Indian state of Rajasthan. He contacted instructors, developed the
strategy for creating the tiles, and involved over 600 children ages 13
through 19.
Kusum was amazed at the quality of the children’s work.
“I was thrilled to see their creativity while making the peace tiles,” Kusum
said. “I had never expected such a wonderful creativity among the small
kids. It was just beyond my imagination.”
Torres feels it is important for the project to concentrate on India due
to its severe HIV/AIDS infection rate. With 5.3 million infected people,
India’s
rate is second only to South Africa.
“The reason why India is important is because it’s the place on the
planet where the next demographic bomb is supposed to explode,” Torres
said. “Already
in South Africa, mortality rates, which is to say the number of people dying
within the population, has surpassed infection rates. It’s how you
know the HIV/AIDS pandemic has reached a critical level. India is the place
where
that’s supposed to happen next.”
Kusum believes that it is crucial to educate youth in the prevention of HIV/AIDS
for three reasons.
“One, they are innocent ones and have been orphaned without any fault,” he
said. “Two, they belong to a new generation that must be protected
from the risks, and three, they are the most efficient group to disseminate
the
message.”
Torres believes that peace tiles and other awareness projects will have
a lasting impact on the fight against AIDS.
“It’s an issue that’s staring the world in the face. Peace
tiles is one of thousands of activities people are doing, and if thousands more
people
take individual action on an issue like HIV/AIDS then international mechanisms
for fighting AIDS will be a lot more motivated to do their work,” he
said. “Soon enough you’ll have a global mass movement to actually
make AIDS history.”
The project has strengthened Kusum’s optimism for fighting the disease.
“It’s a very unique and wonderful experience to involve the younger
generation through art in the fight against AIDS,” he said. “It has
given us a bright indication of hope to cope with the pandemic.”